The theremin is the oldest electronic instrument played without physical contact. Invented in 1919 by Soviet radio engineer Leon Theremin, it operates through two electromagnetic fields surrounding its antennas—one controlling pitch and the other volume. The vertical antenna on the right determines pitch; as the hand moves closer, the frequency rises, producing an eerie, otherworldly sound. The horizontal loop antenna on the left controls volume; the closer the hand, the softer the sound. For me, the theremin is more than an instrument—it is an extension of myself. Unlike traditional instruments that require pressing keys, plucking strings, or striking surfaces, the theremin responds to gesture alone. It captures expression in its rawest form, translating movement directly into sound, making it feel almost like an extension of my own breath. Every note is shaped by intention and presence, demanding a deep connection between body and air, between memory and motion. When I play, I am not just making music—I am carving space for emotion to exist freely.